A Triptych in Jazz

Mar 1

A Triptych in Jazz was conceived as an immersive, multi-sensory exploration of three distinct jazz traditions — Bossa Nova, Bebop, and Blues — presented not as isolated genres, but as interconnected artistic expressions.

Structured as a triptych, the production invited audiences to experience each musical language as part of a larger narrative arc. Rather than a conventional concert format, the evening unfolded as a curated environment: live performance, visual elements, and atmospheric design worked together to shape the audience’s journey through rhythm, improvisation, and emotional contrast.

Each segment highlighted the unique character of its genre — the warmth and fluidity of Bossa Nova, the intellectual intensity of Bebop, and the raw expressiveness of Blues — while emphasizing the shared roots of improvisation and dialogue that define jazz as an evolving art form.

By integrating visual storytelling and spatial design, A Triptych in Jazz sought to dissolve the boundary between stage and audience, creating a setting where music was not simply heard but experienced collectively.

The production furthered Beyond Art’s commitment to interdisciplinary collaboration and innovative curation, expanding how live performance can engage contemporary audiences.

Musicians

Vibraphone | Jack Huang

Piano | Elisee Ngbo

Bass | Guillermo Lopez, William Mannerland

Clarinet | Max Gao

Drums | Jesse Parker, Guojun Yu

Artists

Andrius Alvarez-Backus

Bale Creek Allen

Timothy Bair

Sarah Huffard

Vidal Mouet